Fit out the stage for theater productions.
Just like television shows and movies, an animated film or program has to be filmed. This might seem easier than filming real people—after all you don’t have to deal with the antics of hysterical reality stars. But a job as an Animation Camera Operator has its own challenges.
To be an Animation Camera Operator, you need lots of patience. Animation Camera Operators not only spend hours doing the same thing, but they also work with Directors and Writers who might not always be organized.
Aside from being a frustrating character trait, disorganization can also result in wasted time and money. This is because you shoot frames in the sequence they will appear on screen. If one frame is forgotten or out of place, it means you’ll have to find it, and then go back and reshoot from where it was supposed to be.
So how exactly do you shoot an animated movie? The first thing you need to do is position the camera. You fix it so that is is able to catch the background, and then you add the cels. Cels are transparent sheets where the animation is drawn or painted on. Today, cels are no longer used in major productions as much as before, but smaller shows still use them.
Once the cel is in place, you film the frame and then move on to the next. During filming, you keep an eye on things like lighting, positioning, and color difference from frame to frame. Although some of this can be changed during editing, you want to keep things as consistent as possible during shooting. This ensures an end product that flows smoothly and beautifully.